Coventry patmore biography examples
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Coventry Kersey Dighton Patmore (23 July 1823 - 26 November 1896) was an English poet and literary critic.
Life[]
Overview[]
Patmore was born at Woodford, Essex, son of Peter George Patmore, also an author. He was in the printed book department of the British Museum. He published Tamerton Church Tower (1853), and between 1854 and 1862 the 4 poems which, combined, form his masterpiece, The Angel in the House, a poetic celebration of married love. In 1864 he entered the Church of Rome. Thereafter he published The Unknown Eros (1877), Amelia (1878), and Rod, Root, and Flower (1895), meditations chiefly on religious subjects. His works are full of graceful and suggestive thought, but occasionally suffer from length and discursiveness. He was successful in business matters, and in character was energetic, masterful, and combative. He numbered Tennyson and Ruskin among his friends, was associated with the pre-Raphaelites, and was a contributor to their organ, the Germ.[1]
Youth[]
Patmore, the eldest son of author Peter George Patmore, was born at Woodford in Essex. He was privately educated with no view to any special profession; in the main his own teacher, but, as he warmly acknowledged, profiting greatly by his father's precepts regarding Engl
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Dictionary of National Biography, 1901 supplement/Patmore, Coventry Kersey Dighton
PATMORE, COVENTRY KERSEY DIGHTON (1823–1896), poet, the eldest son of Peter George Patmore [q. v.], was born at Woodford in Essex on 23 July 1823. He was educated privately and with no view to any special profession; in the main his own teacher, but, as he warmly acknowledged, profiting greatly by his father's precepts as regarded English literature. In 1839 he spent six months at a French school at St. Germains. Upon his return he addicted himself for a time to scientific pursuits, and afterwards thought of taking holy orders, but was discouraged partly by his father's inability to support him at the university, partly by scruples relating solely to the position of the church of England; for, although his father was a free-thinker, his own studies and reflections had already reconciled him to orthodox Christianity. He had begun to write poetry in 1840, and in 1844 published a slender volume containing, with minor pieces, four narrative poems: 'The River,' 'The Woodman's Daughter,' 'Lilian,' and 'Sir Hubert,' strikingly original and individual in style and thought, though not without traces of Tennyson and Coleridge. As narratives they are wholly uninteresting, almost vapid; but the
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