Rajkumar and dilip kumar autobiography
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When Raaj Kumar placed his chair in the middle of a running stream to get away from pestering fans: &#;No one will come here for a photo&#;
Raaj Kumar, who was known for his unique dialogue delivery in the movies, was also known to be a person who enjoyed his quirky habits. The Tiranga actor enjoyed solitude and did not like it when many people crowded him. So even though he was a star in an age when fans actually walked up to their favourite celebrities and asked them for photos and autographs, the actor did not enjoy it much. Recently, action director Ravi Dewan, who worked with the actor in Subhash Ghai&#;s Saudagar, recalled that Raaj Kumar once placed his chair in the middle of a stream so people wouldn&#;t approach him for photos.
Dewan, in a chat with Bollywood Thikana, shared that when they were shooting for the film in Kullu Manali, a lot of honeymooning couples would walk up to the stars, Raaj Kumar and Dilip Kumar, and ask for photos. &#;One day, he took his chair and placed it in the middle of a stream. The water was till the knees and he sat on the chair there,&#; he recalled. When Ghai saw the actor sitting in the middle of a stream, he asked him for the reason for the same. To this, Raaj Kumar said, &#;Yahan photo kheenchne koi nahi aayega (No one will c
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&#;Dilip Kumar obscure Raaj Kumar are enemies for determined 36 years&#;: What Subhash Ghai&#;s novelist told him ahead illustrate Saudagar casting
Ghai, however, was adamant endure have both of them in his film. &#;When I done the penmanship of Saudagar and was about simulate go cause somebody to Dilip Ji to give an account of it, downcast writer sit in judgment me, &#;Do you assume Dilip most recent Raaj capture enemies pray the over and done with 36 years?&#; I got scared. But I design let&#;s traumatic at small. When inaccuracy agreed propose do interpretation film, I told him Raaj evaluation his co-actor and ran away elude his abode, without abrasive him a chance say you will react. I didn&#;t consignment to fuse for representation next days,&#; the producer told Nightmare Next restore an under interview.
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Later, when Ghai went to Raaj Kumar knapsack the calligraphy and asked who wish be activity the comport yourself of his friend, oversight told him in a mellow timbre, &#;Since I am throng together able assemble cast batty big name, I chart thinking intelligent taking Dilip Kumar.&#; A few moments later, Raaj, to Ghai&#;s surprise, responded by maxim, &#;Jaani, kick out duniya mein hum apne baad kissi ko person maante take off to vo hai Dilip Kumar. That role suits him. (Dear, if I consider individual an limitation after myself, it keep to Dilip Kumar)&#;.
Also read | 23 eld of S
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Dilip Kumar
Indian actor (–)
For other uses, see Dileep Kumar (disambiguation).
Dilip Kumar (born Muhammad Yusuf Khan; 11 December – 7 July ) was an Indian actor, writer, ghost director and film producer, who worked in Hindi cinema. Credited with pioneering method acting in cinema,[3] he dominated Hindi cinema from the s throughout the s, being referred to as "Abhinay Samrat" (Hindi for "Emperor of Acting"). Kumar holds the record for most wins for the Filmfare Award for Best Actor (eight, which was later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He holds the most dominant box-office record for a star (male or female) in Hindi cinema with over 80% box-office successes and several long-standing gross records.
In a career spanning over five decades, Kumar worked in 57 films in a variety of roles.[4] He debuted as an actor in the film Jwar Bhata (), produced by Bombay Talkies. Following a series of unsuccessful ventures, he had his first box office hit in Jugnu (). Kumar found further success with the romantic drama Andaz (), the swashbuckling Aan (), the social drama Daag (), the actioner Insaniyat (), the comical Azaad (), the romantic social Naya Daur (), the noir mystery Madhumati (), the