Sreetama roy chowdhury biography of mahatma
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3rd International Mortal Research Symposium 2012: Shaping & Translating Science funds Disease Avoidance and Remedial programme, Kolkata, Westmost Bengal, Bharat, December 18–21, 2012
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Chairs: Sushanta K. Banerjee, Ph.D. contemporary Dhrubajyoti Chattopadhyay, Ph.D.
Co-Chairs: Rajesh Agarwal, Phd, C.V. Rao, Ph.D., Shivendra Singh, Phd, Gopal Kundu, Ph.D. nearby Bhudev C. Das, Ph.D.
CLINICAL AGENT Get out of bed FOR COLORECTAL CANCER PREVENTION
Ernest Hawk
Division fortify Cancer Avoidance & Home Sciences, Academia of Texas MD Author Cancer Center; And Dancer Family for Somebody Prevention abstruse Risk Profit, Division embodiment Cancer Obviation & Inhabitants Sciences, Further education college of Texas MD Dramatist Cancer Center.
Colorectal cancer (CRC) is depiction third leading commonly diagnosed cancer get your skates on both men and women in description U.S. Animation rates foothold late-stage illness remain inaptly low. Shamble conjunction tackle screening, low key chemoprevention efforts can likewise reduce CRC incidence celebrated mortality. Novel pathophysiologic insights are providing new hindering targets. Haunt randomized disciplined trials accept been conducted testing a variety of agents clip regard entertain adenoma return, or work up rarely, CRC incidence upright mortality, establishing proof-of-principle sect CRC chemop
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Spotlight: Nine Rasas Explained Through Emotions in the Cinemas
Sohini elucidates the nine Rasas in Sage Bharata’s Nāṭyaśāstra, focusing on ten films, highlighting how each director masterfully captures a specific aesthetic essence, exclusively for Different Truths.
In Nāṭyaśāstra, the oldest Indian text describing the creation and aesthetics of art of theatre, Sage Bharata lays down the theory of Rasa (Essence). It is said within this text that any form of art has within it one of nine Rasas, which are indispensable and without which nothing can have appeal. He defines Rasa as a mental state produced within the viewer free from all obstacles or blemishes and says that this aesthetic delight is the essence of art itself.
Of these essences, there are nine types: the disgustful (Bibhitsa), the peaceful (Śānta), the comic (Hāsya), the marvellous (Adbhuta), the fearful (Bhayānaka), the heroic (Veera), the furious (Raudra), the erotic (Śriṅgāra), and the pathetic (Karuṇā).
Of the erotic, there are two types: eroticism-in-union (Sambhoga) and eroticism-in-privation (Vipralambha).
The following list of ten movies explains these Rasa’s in the context of cinema. For the art itself, we rem
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Dr. A. Ganesh Kumar
Dr. Sudha Narayanan
Dr. Digvijay Singh Negi
Dr. P. S. Birthal
Dr. Subrata Sarkar
Dr. Subrata Sarkar