Talk radio roger ebert biography
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C-U’s Native Film Critic Turns 70: Ebert’s Early Life
For most people, the name Roger Ebert stands out as a man who’s known for giving movies a thumbs up or down. And it’s widely known he hails from Urbana. But to those who haven’t read the famed critic’s memoir, there’s a backstory to a man who didn’t set out to write about film.
He simply wanted to be a journalist. On the Pulitzer Prize winner’s 70th birthday, we hear from some of the friends and colleagues that knew him before he wrote his first review.
There wasn’t a lot early in his life that hinted he would grow up to become one of the world’s most recognized film critics and prolific writer about film.
He grew up an only child in east Urbana to modest beginnings, the son of an electrician. but had an early affinity for the written word.
“I published my first newspaper in grade school – it was called the Washington Street news, and I gave it away to the neighbors," Ebert said in an appearance on WILL-TV in 1995. "And in high school, I worked for the high school paper, and on and on.”
But friends say the only thing they knew right off the bat is that they enjoyed his company.
"I don&rs
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Barry Champlain, the main character of 1988’s “Talk Radio,” is a Dallas-based, left-wing “shock jock” whose rants are little arias of outrage. Sometimes a caller who’s obviously suffering will bring out his humanity for a moment, but his default mode is scorched-earth combativeness. It would be misleading to call him a “provocateur” because the word is elegant and Barry is not, and because Barry doesn’t provoke; he attacks, and continues attacking even after his adversary has folded. Sometimes when a caller tries to take a piece out of him, Barry will not just verbally beat them down but cut off their audio feed without telling the audience he’s done so and then rip into them for another few seconds, which makes it seem as if the person that used to be on the other end of the phone line was stunned into silence by his words. He’s a virtuoso of rage, and that’s more than enough to make him a local star and get a national radio syndicate interested in picking up the show.
But Barry can’t turn the rage off. He directs it at his coworkers, his supervisors, his romantic partners (currently his producer Laura, played by Leslie Hope) and himself. I know a lot of people who gave this movie a try but had to turn it off because Barry was too much to take. I get it. Even w
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Roger Ebert
American ep critic good turn author (1942–2013)
For the site named astern Ebert, photo RogerEbert.com.
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