Wenten rubuntja biography of nancy

  • Wenten Rubuntja was born near Hay's Creek, the son of Bob Rubuntja.
  • Wenten Rubuntja nicely captures this anthropomorphic fusion of self and country: “Landscape painting is the country himself, with Tywerrenge (sacred object, Law).
  • Read by Jurgis Maleckas (George Maleckas).
  • Nancy Nungarrayi Writer, Ngalyipi Jukurrpa (Snake Creeping plant Dreaming) - Yanjirlpiri, 91x61cm

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  • Untitled Landscape

    MBC009
    Medium
    Watercolour on Board

    or make 4 interest-free payments of $550.00 AUD fortnightly with More info

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    MBC009

    Untitled Landscape

    Info

    Catalogue Number:MBC009 ,Width: ,Height:

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    Catalogue Number:
    MBC009
    UPC:

    Artist Profile

    Wenten Rubuntja was born near Hay's Creek, the son of Bob Rubuntja. He initially…

    Artist Profile

    Artist Profile

    Born:

    c. 1926

    Deceased:

    2005

    Language Group:

    Arrernte (Aranda)

    Country:

    Central Desert, Northern Territory

    Medium:

    Watercolour on Board

    Subjects:

    Landscape - Hermannsburg School, 14 Mile Gorge, Untitled Landscape

    Wenten Rubuntja was born near Hay's Creek, the son of Bob Rubuntja. He initially began painting in the Hermannsburg School Landscape style before transitioning to dot work paintings using acrylics.

    Hardy, J., Megaw, JVS. & Megaw, MR.
    (1992) The Heritage of Namatjira - The Watercolourists of Central Australia, William Heinemann, Australia

    Information

    Artist Name, Artwork Size, Medium, Year Painted, Title,

    Information

    Artist Name:
    Wenten Rubuntja
    Artwork Size:
    36 x 53cm
    Medium:
    Watercolour on Board
    Year Painted:
    1972
    Title:
    Untitled Landscape

    Description

    This landscape by Wenten reflects

    By Michael Jackson

    The lyf so short, the craft so longe to lerne,
    Th’assay so hard, so sharp the conquerynge . . .
    Geoffrey Chaucer, The Parliament of Fowls

    Painting runs in my family, but not religion. My mother’s maternal uncle, Walter Tempest, was a late nineteenth-century watercolorist and member of the British Royal Academy, and my mother was an acclaimed painter of abstract landscapes. In my early twenties, I vacillated between painting and writing before deciding on anthropology as my vocation. In recent years, my daughters, Heidi and Freya, have excelled in the arts I chose not to pursue.1 Where some people bear witness to a religious tradition, sustained over many generations, I marvel at the artistic trait that has given my family members a very present help in times of trouble. My mother’s accidental landscapes often appear to be outward expressions of her inward struggle with the pain of rheumatoid arthritis.2 The death of Heidi’s mother when she was thirteen, and her attenuated ties with her homeland following our decision to embark on a new life in Australia, undoubtedly found expression in Heidi’s New Zealand landscapes. And Freya frequently turned to painting and drawing when the confusions of her adolescent years