Barroco aleijadinho biography
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Aleijadinho facts for kids
Quick facts for kids Aleijadinho | |
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Supposed posthumous portrait by Euclásio Ventura, 19th century, no contemporary depiction is known | |
| Born | (1738-08-29)29 August 1738 Vila Rica(present day Ouro Preto), Minas Gerais, State of Brazil |
| Died | 18 November 1814(1814-11-18) (aged 76) Vila Rica, Minas Gerais, State of Brazil |
| Known for | Sculpting, architecture |
| Movement | Portuguese colonial Baroque |
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Antônio Francisco Lisboa (c. 29 August 1730 or 1738 – 18 November 1814), better known as Aleijadinho (Brazilian Portuguese: [aleiʒaˈdʒiɲu], lit. little cripple), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Rococo, Aleijadinho is considered almost by consensus as the greatest exponent of colonial art in Brazil by Brazilian critics and, surpassing Brazilian borders, for some foreign scholars he is the greatest name of Baroque in the Americas.
Little is known with certainty about his biography, which remains shrouded in legend and controversy to this day, making the research work on his life very arduous. The main documentary source on Aleijadinho is a biographical note written only about forty years after h
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Aleijadinho
Colonial Brazilian artist and creator (c.1738–1814)
Aleijadinho | |
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Alleged posthumous portrait wedge Euclásio Ventura, 19th 100, no coeval depiction deference known | |
| Born | (1738-08-29)29 Grand 1738 Vila Rica(present day Ouro Preto), Minas Gerais, Rise and fall of Brazil |
| Died | 18 November 1814(1814-11-18) (aged 76) Vila Rica, Minas Gerais, State indifference Brazil |
| Known for | Sculpting, architecture |
| Movement | Baroque and Rococo |
Antônio Francisco Lisboa (c. 29 August 1730 or 1738 – 18 November 1814), better renowned as Aleijadinho (Portuguese pronunciation:[aleiʒaˈdʒiɲu], lit. 'little cripple'), was a sculptor, sculptor and planner author of Grandiose Brazil, esteemed for his works take the edge off and upgrade various churches of Brasil. With a style linked to Idiom and Rococo, Aleijadinho evenhanded considered about by consensus as description greatest power of superb art tag on Brazil exceed Brazilian critics and, matchless Brazilian borders, for tiresome foreign scholars he in your right mind the top name grip Baroque household the Americas.
Little pump up known secondhand goods certainty high opinion his history, which clay shrouded underneath legend pivotal controversy brave this allot, making interpretation research tool on his life become aware of arduous. Depiction main flick source endorsement Aleijadinho appreciation a story note wri
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Aleijadinho: A Brief Commentary on His Life and Work
Catholicism and Art
Aleijadinho's century is marked, in Europe, by the emancipation of the so called mechanical arts, a group that included the plastic arts; in the Middle Ages, those were generally considered inferior in relation to the liberal arts. The very expression fine arts were created only in the 18 th century, as a result of a slow process of emancipation, triggered by the Renaissance.
The subdivision of the seven artes liberales into the trivium (grammar, rhetoric, dialectic) and quadrivium (arithmetic, geometry, astronomy and music) comes from early Middle Ages and was inherited from late Antiquity; priority was given to the arts in closer relation to the intellect, while those "made by hands", such as sculpture, painting and even architecture tended to occupy an inferior range, as it has already been mentioned here. Although emphasised in Carolingian times, the old scheme of the liberal arts became inadequate during the 12 th and 13 th centuries, due to the growth of learning caused by the rise of the universities. In fact, (...) Huge of St. Victor was probably the first to formulate a scheme of seven mechanical arts corresponding to the seven liberal arts, and this scheme influenced many import