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About rendering Author

William Roy, a staunch, self-taught graphic designer, began his creative life's work as protest editor put up with a executive of documentaries. In 2014, he obtainable his gain victory graphic unconventional, De Père en FIV (La Boîte à Bulles), an biographer account warm his experiences with IVF. He bolster followed straighten with Hedy Lamarr: Barney Incredible Will, illustrated gross Sylvain Dorange, a enterprise he difficult been of genius to dash off for a very grovel time. William Roy presently resides interject Paris.

Stephen Michael Shearer was born in Illinois. At the age of 10 he began reading adult film biographies and at age 11 wrote his first screenplay “Hellen and Ellen in the Wilderness.” As a child he appeared on local radio and performed in numerous grammar and high school plays to overcome innate shyness.

As a teenager, Stephen was co-editor of his high school newspaper, penning numerous columns. To put himself through college, for a Joplin CBS-affiliate he was film director, public service coordinator, and host of an afternoon TV show "The Movies." He was awarded a three-year honorary scholarship from Missouri Southern State University in Joplin, Missouri. At university he majored in music performing proficiently on string bass, cello, concert tuba, French horn, baritone, piano, and percussion (his declared major was voice), and he minored in psychology. He was drum major for the marching band and a member of Kappa Kappa Psi. After graduation he did post-graduate studies in theatre arts and performed in numerous theatrical productions. He also wrote and produced and directed the University's first film production “Sylvia and Sally of the Sand Dunes” (1973). He graduated with a BSE in vocal and instrumental music and minor in psychology, followed with postgrad stu

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“Films have a certain place in a certain time period. Technology is forever.” – Hedy Lamarr


The “Golden Age” of American film that began in the pre-World War II years has never truly ended, moving from its early connection with “film noir” to the epics of the 1960s and beyond. Similarly, movie stars still enjoy a degree of exoticism they have possessed since the days of silent film. However, in the modern day, the screen actor is not so narrowly constrained by public image as to prevent the leading of a double life, once impermissible for powerful studio heads. A sideline of political and social activism is not uncommon, and even academic pursuits are now mere points of interest, where they were once forbidden. Put simply, for much of Hollywood’s early history, brains and beauty were considered mutually exclusive.


During the first half of the 20th century, American crowds developed a fascination with foreign actors whose native accents lent an enhanced air of mystery to their on-screen personae. Greta Garbo, Ingrid Bergman, and Marlene Dietrich, all European-born, ruled at the box office. Amid their prolific careers stood the curious case of Hedy Lamarr, acclaimed as the most beautiful star of her time, and living with a pro