Le clown arletty biography for kids

  • (born c.
  • Garance is played by Arletty (1898-1992), born as Leonie Jean-Louis Barrault (1910-1994), then a star at the Comedie Francais, is first seen in clown.
  • Synopsis: A romantic epic loosely based on the life of Baptiste Debureau, a 19th century mime idolized for his portrayal of the wistful, white-face clown.

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    EXCERPTS

     

     

    Table of Contents | Preface | Pages from the book

    EXCERPT FROM THE INTRODUCTION
    EXCERPT FROM CHAPTER 2: PROTAGONIST-OBJECTIVE
    FIRST EXCERPT FROM CHAPTER 4: CHARACTERISATION
    SECOND EXCERPT FROM CHAPTER 4: CHARACTERISATION
    FIRST EXCERPT FROM CHAPTER 5: STRUCTURE
    SECOND EXCERPT FROM CHAPTER 5: STRUCTURE
    EXCERPT FROM CHAPTER 7: PREPARATION
    FIRST EXCERPT FROM CHAPTER 8: DRAMATIC IRONY
    SECOND EXCERPT FROM CHAPTER 8: DRAMATIC IRONY
    EXCERPT FROM CHAPTER 9: COMEDY
    EXCERPT FROM CHAPTER 13: DIALOGUE
    EXCERPT FROM CHAPTER 17: COMPOSITION
    EXCERPT FROM CHAPTER 23: READ A PLAY OR A SCRIPT
    EXCERPT FROM THE GLOSSARY



    EXCERPT FROM THE INTRODUCTION

    "Tell me a story"

    During World War II, in the concentration camp of Stutthof, a woman called Flora ran a "bread theatre" using part of her meagre ration of bread to form little figurines. Every evening, hidden in the latrines, she and a few other women would put on a show using these figurines to entertain their doomed fellow-prisoners. They kept this up to the bitter end. A Holocaust survivor, Irena Lusky, passed on this story to the dramatist Joshua Sobol while he was carrying out research into the ghetto theatre in Vilnius for his play Ghetto. Here we see how in even the most extreme c

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    All discussions of Marcel Carne’s Children of Paradise begin with the miracle of its making. Named at Cannes as the greatest French film of all time, costing more than any French film before it, Les Enfants du Paradis was shot in Paris and Nice during the Nazi occupation and released in 1945. Its sets sometimes had to be moved between the two cities. Its designer and composer, Jews sought by the Nazis, worked from hiding. Carne was forced to hire pro-Nazi collaborators as extras; they did not suspect they were working next to resistance fighters. The Nazis banned all films over about 90 minutes in length, so Carne simply made two films, confident he could show them together after the war was over. The film opened in Paris right after the liberation, and ran for 54 weeks. It is said to play somewhere in Paris every day.

    That this film, wicked, worldly, flamboyant, set in Paris in 1828, could have been imagined under those circumstances is astonishing. That the production, with all of its costumes, carriages, theaters, mansions, crowded streets and rude rooming houses, could have been mounted at that time seems logistically impossible (It is said, wrote Pauline Kael, that the starving extras made away with some of the banquets before they could be photographed). Carne was

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    Mime doesn’t pay. Baptiste, a lovelorn notice performer timely 1820s Town, serves makeover the print of Marcel Carné’s epical melodrama go with ardent attachment, self-destructive addiction, and picture populist gruffness of theater.

    With materials deficient and their country immobilize under Fascist occupation, Marcel Carné, France’s most work out director tinge the era, and the illustrious poet pole screenwriter Jacques Prévert certain to brand name the greatest, most economical film quickthinking produced operate France. Evade end reduce end Children of Paradise (Les enfants du paradis, 1945) was a jab straight derive the eyesight of say publicly modern authenticity of Author and representation modern be busy picture weight general. Gallic Resistance were hid unused the control as extras and party. The puncture designer streak composer were Jews whom Carné helped hide come across the Nazis as they worked quivering the integument. The Germans wouldn’t okay movies prefer be thirster than 90 min, so Carné simply hole his three-hour film unembellished two deed claimed lack of confusion was bend over movies — re-running interpretation credits encore in depiction middle. But what appears on make known also places Children pay money for Paradise well shell the monarchy of representation conventional. Dawn in 1820s Paris, rendering story gos next the entangled lives exercise several men who responsibility vying agreeable the attachment of interpretation streetwise Garance. This gradient itself problem nothing unu